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I'm working to complete the English version as soon as
possible. You might want to take a look at the Spanish site, though,
it'll give you a pretty good idea of what this is going to be.
AND MOST OF THE INSTRUCTIONS ARE BILINGUAL!
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What I like about Modular Origami is precisely the
fact that it is modular. Each fold opens infinite possibilities
to build all sorts of models.
When I started there was no one in Argentina teaching this branch, so I
made my first folds thanks to the generosity of a few sites that were in
the web already at that time, like Meenakshi
Mukhopadhyay's, Helena
Verrill's, Tom Hull's,
or the pages of Jim Plank or
David
Mitchell, who offer diagrams and detailed photos and explanations. I
wish this site might be equally useful for those who want to start, or
get on learning. In particular, I'll try to complete the existing
information on the web with some comments and
articles on how to make or assemble certain models, the type of
modules and their authors, interesting facts and the possibilities I
myself have found for some modules.

I
include also a page with commented links
(those that I consider essential), but these days the field is expanding
very fast and every time I check the web I find new excelent pages from
all over the world, many with lots of diagrams both for modular and
classical origami, and for the new specialties like crease patterns (CP),
tessellations and other wonders.
Nowadays
I teach at the Centro Cultural José Ingenieros of the School of
Medicine - UBA (Universidad de Buenos Aires) and at the Imaginary Museum
of the Universidad Nacional de Gral. Sarmiento, besides some private
classes.
One
of the most interesting developments is the possible use of modular origami
in the classroom. The magic transition from two to three dimensions
never loses appeal. Bringing together a number of flat little pieces to
make a polyhedron, or to turn one into another the way Tomoko
Fusè shows in her tansformations (Unit Origami) seem to me
extraordinary aids for the geometry class and de development of fine
motricity skills.
At
the Imaginary Museum ( UNGS), there is a Polyhedra Room with pieces I
made some years back when I was playing about with mosaics and
tessellations of the plane. Because they were an interactive museum,
they asked me to suggest some activity to complement the visits, and
that's how I met origami and the Sonobè module, which to this day are
the main course served to the visiting schools.
The
model I'm putting together in these photos
kindly taken by my friend Silvana Castro
is a composite of 20 cubes I found in David Mitchell's page,
though his was made with another module. He mentions it can be built
with other modules and I made mine based on the 24-unit sonobè cube,
seeking through trial and error until I found the way to fold the units
at the vertex, something that has opened the door to other structural
forms that may be created by adding and chaining, and that's what I'm at
now... exploring other possibilities.
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Fractal Cubes
XYZ Planar
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